An everyday perspective on today's art scene.

Art serves many purposes but increasingly, today’s public asks that it either inform or entertain an increasingly engaged yet generally unfamiliar general public. This is a simple guide for those seeking to work past intimidating gallery owners or over-eager docents and interns for a chance to approach these creative works on one’s own terms – if a show interests you, click on the link or Google the artist – they will be glad to assist you.

Text and Images are copyrighted by contributor(s).

Showing posts with label Art Theory. Show all posts
Showing posts with label Art Theory. Show all posts

Sunday, February 10, 2013

Defining Art



Aesthetics courtesy Mercedes Benz


Open Studios and Aesthetics:  

Artist versus Artisan


Have you ever gone to an art show or an open studio and been confused as to what is art and what is not, or as to who is an artist and who is merely doing craft projects?  If so, you are not alone.  While art might have been highly defined and organized at one point, it is no longer so.  Any definitions about art or as to what is art and what is not will be contradicted as quickly as they are established.
    Rather than worrying about defining art or even attempting to understand art, I find it more useful to consider developing one’s own aesthetic or appreciation of art and to then challenge oneself to find more and different types of art and artworks in which you become interested.
    For instance, I know that I really like the sculpture of Ancient Greece and Ancient Rome.  At first, I thought that the sculptures of Ancient Egypt were weird and silly but as I learned to appreciate the relationship between Ancient Greek art and that of Ancient Egypt, I began to fully appreciate them both.
    On one of my first trips to the Art Institute of Chicago, I was amazed at how real the faces of some of the sculptures were from India and how similar they were to Greek art.  After doing some reading, I learned that much art from Ancient Afghanistan and Pakistan was highly influenced by the Greek invasion under Alexander the Great.
    As I became more experienced, I learned to enjoy the differences as well as the similarities.  Viewing art is like any other activity – the more you do it, the better you become.  The better you become at viewing and interacting with art, the more you enjoy it.
    During this process, you will determine for yourself what is interesting and what is not.  This is your personal aesthetic.  

Wednesday, February 6, 2013

Painter Painter (2 of 3), Walker Art Center

Painter Painter
Walker Art Center
Minneapolis, Minnesota
02 Feb – 27 Oct, 2013
 
Part 2:  Context and Dialogue
 

Painter Painter has the potential of being both theoretically progressive and informative in terms of content (the works and artists displayed), and I was privileged to be attendance as Michelle Grabner, Jan Verwoert and Bruce Hainley led participating artists and the Center’s members in presentations and group discussion of the meaning behind the show.  (The following are excerpts and are incomplete and subjective, but these are the notes I was able to take and my best attempt at reconstitution.  The videos will be available at a future date from the Walker.)


 

    The context and dialogue of Painter Painter takes place in many places and in many media simultaneously.  The 02 Feb panel discussion was preluded by a revealing interview with curators Eric Crosby and Bartholomew Ryan by Cristina Travaglini in the winter issue of Kaleidoscope (www.kaleidoscope-press.com/current-issue/), on-line through individual artist blogs (http://www.walkerart.org/painter-painter-studio-sessions) and on-site via panel discussions, studio visits and personal artist interactions.