An everyday perspective on today's art scene.

Art serves many purposes but increasingly, today’s public asks that it either inform or entertain an increasingly engaged yet generally unfamiliar general public. This is a simple guide for those seeking to work past intimidating gallery owners or over-eager docents and interns for a chance to approach these creative works on one’s own terms – if a show interests you, click on the link or Google the artist – they will be glad to assist you.

Text and Images are copyrighted by contributor(s).

Showing posts with label Aexander Brook. Show all posts
Showing posts with label Aexander Brook. Show all posts

Wednesday, November 14, 2012

Book Review



More Pictures to Grow Up With  (1946)
by Katharine Gibson

   
    Most know that I am a used book aficionado.  No, I don’t mean rare books or first editions.  Not even pedestrian art critics make enough money for that sort of lifestyle.  Rather, I mean those books which are classics based on having been passed between at least two generations.

    In the world of art books, I found that going back to the pre-WW II days brings a refreshingly straight-forward perspective to the field.  You see, back in the day, art was understood by a relatively egalitarian populace to belong to all people – and all people were expected to have at least a basic understanding of art.   I find that two fields have declined precipitously since the war – being visual arts and poetry, but that much of the fault lies with the critics, the private galleries and the artists who arguably have cultivated a less approachable, highly elitist environment that has benefited only the gallery owners.

    Katharine Gibson’s pleasant book is aimed introducing art appreciation to the middle elementary school student.  She does not talk down to the reader but does rather, find aspects of art that might be more appealing to children.  Gibson starts with pets – introducing children to the world of art and its concepts through the agency of animals while dealing with complicated concepts such as the difference between art and design, artistic intent, choice of medium, and so on.  I greatly appreciate her review of the concept of narrative within a work of art, whether it be an Italian Renaissance painting, a French tapestry, and Egyptian tomb motif or a Greek vase.  By the end of the first chapter, a child (or adult for that matter) is well prepared for his or her first enjoyable trip to the gallery or museum.