An everyday perspective on today's art scene.

Art serves many purposes but increasingly, today’s public asks that it either inform or entertain an increasingly engaged yet generally unfamiliar general public. This is a simple guide for those seeking to work past intimidating gallery owners or over-eager docents and interns for a chance to approach these creative works on one’s own terms – if a show interests you, click on the link or Google the artist – they will be glad to assist you.

Text and Images are copyrighted by contributor(s).

Showing posts with label Lucy Walker. Show all posts
Showing posts with label Lucy Walker. Show all posts

Tuesday, October 12, 2010

Mennonite Cinema

Devil's Playground (DVD, 2002) ****
Lucy Walker, Director, Stick Figure Productions, USA


    On the ten year anniversary of Devil’s Playground, aka Rumspringa, I endeavoured to see this Amish-oriented documentary for the first time.  As a Mennonite, I had formerly avoided this film and its marketing imagery as probably catering to the larger American media appetite for scandal, questionable morality and iconoclastism.  I was greatly surprised to find a film that was straightforward, respectful without being overly romantic and that one that dealt with very real issues while allowing the characters to speak for themselves.  Part of the strength of the film comes from the self-confessions of the directors and production team that they had experienced difficulty finding an angle or even an “in” for the making of what had begun as a rather undefined documentary project on Amish teens.  Rather, the team comprised of Lucy Walker, Steven Cantor, Pax Wassermann and Daniel Kern was forced to discover the topic while filming and to allow the characters to emerge of their own accord.  No agenda, positive or negative – was possible in that the team had little control over the subject matter.  According to the production commentary, the project evolved more like a news story than a scripted documentary.
    Devil’s Playground offers two strengths to Anabaptists.  First, it is a greatly informative look into the very real lives of Amish teens and the concept of rumspringa.  Though the Conservative Amish are often careful to separate themselves from their Mennonite and Mennonite-Amish cousins, there is much in this story that is shared between the more liberal and more conservative branches of this culture – even more so as you go back one and two generations for the Mennonites.  Secondly, for those who are able to read the “bonnet code,” an informed Anabaptist will see Mennonite and Amish film footage juxtaposed against each other to form a seamless celebration of a common ethnic and religious heritage.