An everyday perspective on today's art scene.

Art serves many purposes but increasingly, today’s public asks that it either inform or entertain an increasingly engaged yet generally unfamiliar general public. This is a simple guide for those seeking to work past intimidating gallery owners or over-eager docents and interns for a chance to approach these creative works on one’s own terms – if a show interests you, click on the link or Google the artist – they will be glad to assist you.

Text and Images are copyrighted by contributor(s).

Friday, June 10, 2005

Shag: Press Your Luck


Shag Is Smokin’

    Tired of Antismoking laws and contemporary “lofts” that seem a b it too much like old apartments?  Perhaps you need to get Shagged.
    Shaf, aka Josh Agle, takes us back to when American was cool – way cool.  Mod was hot, monkeys were funny, and style was everything.  The world not only loved us – it wanted to be us.
    Educated in the Visual arts at Long Beach State in California, Shag combines a classical sense of space and narrative with the native humor and visual communication skills of a commercial illustrator.
    Shag (think JoSH AGle) jumped off the covers of classic jazz records and modern magazine designs – is it my imagination, or do I see a little Bing Crosby and Audry Hepburn film influence also?  -- into the postmodern world.
    A Shag differs from many contemporary retro pieces in that it is not merely a classic mod pose. 
    Rather, the images are, as Shag puts it, “set in the middle of a story or situation – characters are interacting and reacting to each other and to outside events.”
    Part of the Shag narrative depends on the strong differentiation between foreground and background, render in large spaces of flat color.  The eye skims across the background, registering the action denoted by the figure as in a carton panel.
    Shag’s classical training is readily apparent, and perhaps that’s what makes the pieces so great.  The line of each figure flows into a dialogue with another image, other lines, and pools of color.
    Even a six on the Kinsey scale will follow the legs of a Shag vixen to see where they are going.
    Shag’s other trick is the building of context. 
    Take Twelve Stations of Ptolemy.  Based on the traditional horoscope, each image contains symbols, colors, activities, and often animals, related to each sign.
    They are a smoothed-over, cooled-down, and [Pf]attened-up update of the Medieval Bestiary or Book of Days.
    The same attention to narrative symbolism imbues all Shag’s series, whether in the Genesis cycles of Before the Eviction; the more classical Heroes and Monsters, based on Greco-Roman mythology; or Holidays on Ice, straight from the Madison Avenue-Hollywood reader.
    So, put on some Esquivel; pour yourself a gin; and go ahead, light up – it’s your life, after all.
    And go Shag-a-delic with OX-OP Arts’ return to style.

Shag:  Press Your Luck
Through June 20
OX-OP Arts
1111 Washington Avenue. S.
Minneapolis, MN  55415
(612) 259-0085

 Originally appeared as "Shag is Smokin' " Lavender Magazine, Minneapolis, Minnesota, 10-23 June, 2005, p 142.

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