With strong representations of local, national, and emerging artists, the miniature show at Bozeman’s Planet Bronze is quickly becoming an important collectors’ event. Gallery owner and noted sculptor Dennis Harrington explains the concept as partially to, “grant access to new collectors at affordable prices while offering work that can easily fit into the everyday lifestyle.” For purposes of the show, art work is limited in size with most works measuring approximate 8” by 10”.
At a sneak
preview, Bozeman-resident Charles Bugger, whose abstract expressionist works
are often admired for their management of color, texture and geometric
arrangement, explained his own artistic creative impulse as “compulsion rather
than inspiration.” In this case, the compulsion to paint small has perhaps
challenged an artist generally known for, and self-admittedly more comfortable
with much larger canvases. “The mini
show has forced me to reinterpret my style, which is normally on a much larger
scale. I am very pleased with the pieces
I have entered this year,” he confidently notes.
On December 7, the
gallery will host an opening for this collection of 160 miniatures by 63
artists, including Bugger, and ranging in subject from landscapes and still lifes
to portraits, cityscapes, and cartoons.
There is nothing small about the talent represented – Steve Huston,
Ignat Ignatov, Dan Beck, and Scott Mattlin are some hard-hitting
nationally-known artists. Works have
also been contributed by many well-established local favorites, including Al
Feldstein and Anita Saunders. While the
aim of the show is to include a wide variety of quality, affordable art, with
prices beginning around $300, the upper end of the spectrum is rounded off with
some solid investments topping $3,000.
Bozeman-resident,
Steve Huston, is a new participant this year.
Harrington was proud to include Huston, who normally markets his work on
the East Coast, in a local program. The
lean male torsos of construction workers or sports figures are readily
identified as trademarks of Huston, whose work often incorporates such figures
in the act of construction or in some way relating to classical architectural
elements and the built environment. In
the October issue of American Art Collector, Huston explains, “True grit is
what I see in the workmen, lonely heroes who build a life and build a
country.” Using what he refers to as “a
small figure against such a monumental environment,” Huston challenges his use
of Realism to create “more than a book cover.”
For him, “It [the artistic theme of a work] needs to be bigger—about how
we live, the world we inhabit, its faults and attributes.”
Adam Smith is also a newcomer to the show. His wildlife portraits are already turning
a few heads in the wildlife art scene, possibly because of the strong and yet
entirely natural personalities he captures with photographic precision in his
subjects.
Karl Heerdt made a splash at last year’s show with his
expert treatment of water and reflection in rivers, streams, and the mighty
Niagara Falls. Included in this year’s
show are some of his new Montana-inspired pieces. Harrington relates, “Heerdt was excited to discover
Montana and its scenery, especially Yellowstone. It is something new and different from painting
the New York landscapes he is used to.”
For Montanans, Heerdt’s work is a special treat. Readily identified as possessing a classic
Hudson River-esque artistic style, his treatment of sceneries such as
Yellowstone have the polish and sheen of a Bierstadt without their sometimes
cloudy historical sentimentality. Heerdt
tends to present a polished, yet refreshingly clean and simple realism.
Chicago’s Nancy Albrecht is also a returning favorite,
contributing colorful impressionist postcards from neighborhoods in that great
city.
Dan Beck’s diverse talent is displayed across genres with
pieces ranging from portraits of wizened old men to experiments with light and
color in natural landscapes.
Indeed, while the show includes many great landscape
artists, it is nice to see such a large number of still lifes, portraits, and
yes, even a few artistic nudes amongst the display. With so many contributing artists, there is
surely something that will appeal to every eye and challenge every taste. Even viewers who are old hat to the gallery
scene might discover painting in miniature to help clarify or focus a
particular aspect of their favorite artist, granting fresh perspective to
larger, more complicated works they have also enjoyed.
For more information on the Miniature show and contributing
artists, please check their website at www.planetbronze.com. The show opens at Planet Bronze Gallery, 905
North 5th Avenue, December 7th from 5-8 pm and continues
through January.